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Most of these prints came about as a result of a commission linked to the Gold Cup meeting at Cheltenham in 2014. I developed a series of screen stencils from my own photographs at the racecourse and printed them over individually created backgrounds using newspaper collages, tissue paper, Brusho inks and oil pastels.

The large prints of Gloucester Docks were created by making a relief collagraph from offcuts of textured wallpaper and printed with black ink over prepared coloured backgrounds.

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